A museum curator is writing a biographical statement about Trinidadian-born Chinese dancer, choreographer, and teacher Dai Ailian for a new exhibit on Chinese dance. The curator claims that some of the pieces Dai created shortly after arriving in mainland China in 1941, such as the solo dance Yao Drum, reflect a desire to represent the dances of local communities Dai visited during her travels through China.
Which quotation from a work by a dance historian would be the most effective evidence for the curator to include in support of this claim?
Difficulty: Easy
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